We watched episode two of Torchwood: Miracle Day on Sunday (still behind, I know, sorry!) and have noted the negative comments appearing on my last post. I’m not sure how fair some of these are – most of them coming from disgruntled longtime fans. Fans: please bear in mind that reinventing a show for a new country, new audience, new production regime, new cast – this is a Hard Thing to do, and I think Russell T Davies et al have been pretty bold with setting up the single premise.
Granted, I’m only two episodes in so don’t know quite how well it’ll sustain itself – the one criticism I thought sounded fair was the idea that the plot of the season might well have washed out happily in a couple of eps – but it feels like its building nicely to me.
Exposition in the early days of a lot of new television series is often slightly painful (it doesnâ€™t need to be but its hard to avoid). The premise needs playing out, the characters need developing, the universe needs staging. It’s understandably frustrating seeing this happen with a show you already know, characters you’ve followed for years. This is one of the reasons that novel adaptations are often (not always) regarded as inferior to the original – they are necessarily different to meet the demands of the new medium – and I think American TV does count as a new medium in some respects.
If we cast our minds back to the early seasons of Torchwood, if we’re being fair, we’ll remember that it was a pretty dire thing that the Beeb had made. And yet it matured by season three into a thing with millions of fans. We’re only up to episode three of the new series – give it a chance, it feels like it’ll weather well.
That said, none of the negative comments indicate people are going to stop watching, so perhaps you are all giving it a chance – just needing a place to vent and lament the passing of the Torchwood of old. To you, I say, if you wanted it to stay made in Britain, you should have been willing to pay a bigger license fee! The BBC couldn’t afford to produce a show like this by itself; heck, even Dr Who only got 1.5 seasons worth of television this year. Auntie is hurting, and admittedly it is a slightly bureaucratic mess at times, but its output is remarkable and I’ll be sad if its star wanes with the cuts we have ahead of us.
FWIW, Iâ€™m loving the Beebâ€™s co-production strategy. I think change is good, if unsettling, and weâ€™ll see a whole new breed of television that works in a way we simply couldnâ€™t manage if we were left to our own devices.