Tag Archives: Books

Song of Ice and FIre 5: A Dance with Dragons iPhone app

adancewithdragonsNo spoilers herein, don’t worry, on the publication of the latest book in the epic George R R Martin series, A Song of Ice and Fire. I’ve managed to avoid spoilers so far despite the fact that the publisher’s screwed up and shipped copies into the UK a few weeks ahead of the official launch.

There’s a lot of hype around this book, not least because it’s been four years in the writing, the critically acclaimed HBO series has launched in the meantime, and, well, the fact that its a great story. I’m going to resist buying it until I’m through the excellent Mistborn saga (down to the last half book of that), and will probably then get the eBook to help me get through the 1000 odd pages of the new novel without lugging a massive tome around with me.

The iPhone app that accompanies the book launch comes complete with a summary of the previous books (invaluable for a quick recap, especially if you’re not sure how much ground the TV series has covered and want a reminder) as well as a few other goodies, so I will refresh my memory ahead of getting the book in.

Constraints on magic

mistbornI’m blitzing my way through Brandon Sanderson’s ‘Mistborn’ trilogy and enjoying it profoundly. He has an effortless way with world-building that’s wondrous without being painstakingly expository.

One of the things I particularly like about the books is that he’s given himself a clearly defined set of constraints within which his heroes operate. "Magic" in the world of Mistborn consists of a set of powers derived from consuming and draining metals (and some variants on that I won’t go into here).

The nice thing about this mode of storytelling is that you’re never confronted with the dread Deus Ex Machina – that scenario where the odds are stacked against our hero, but he says some random spell in pig-Latin that no-one knew he knew, or that has the exact power needed to snuff the baddies’ ambitions (I’m looking at you, Potter).

It means that the world is internally consistent and whilst there are surprises, you never feel cheated by cheap storytelling. I think its an awesome thing and am fast becoming a Sanderson fan.

H2G2 6: And another thing – sort of review

It was with some sadness that I finished reading the Eoin Colfer tribute to Douglas Adams ‘…and another thing’ – book six in the increasingly inaccurately named Hitchhiker’s guide trilogy. Sad for a number of reasons…

Unnecessary sequel
This was not a story that needed telling, as Eoin himself was well aware. Douglas may have had a sixth novel planned but there was no obvious place to go – the last we saw of our heroes, they were on the verge of being dead and, well, unless you’re writing a Zombie thriller, a novel full of dead people isn’t massively compelling…. something which Eoin recognised but thought he’d have a go at anyway.

Too courageous
Eoin tried really, really hard to pay tribute to the best traditions of Douglas’ series. Really, I think this should have meant that he took more than eight months to write it and he should have torn it up several times in the course of its development. After all – Douglas’ love of deadlines is well documented (especially the sound of them whooshing past). Where Douglas’ books felt painstakingly iterated, moulded, cajoled, and sometimes brutally hammered into place, Eoin seems to write with the same, effortless grace with which he produced his Artermis Fowl books. For me, this meant it read like something completely different…

Too linear
The charm of Douglas – in many regards – was that his brain worked in ways that no-one else’s did. Eoin himself writes in the afterword to the edition I read that he specifically picked on “the obvious way” of getting our heroes out of the pickle Douglas left them in at the end of Mostly Harmless. Would Douglas have done that? Maybe. But somehow I think repeating a trick would have been on the far end of the probability spectrum for Douglas.

The wrong stars
The previous books were about Arthur. He was the character you could empathise with, he was the character whose muddle-headed, dressing-gowned, tea-drinking Englishness that made it real for the reader. This book? Features The Guide, Zaphod and Trillian as its main characters. How easy is it to empathise with the mega-egotistical president of the Universe? Not that easy, even for me. And the guide’s interruptions seemed more frequent and expansive than Douglas’ own diversions, amusing as they often are.

In short, this was a valiant effort, by Mr Colfer. But I really wish you hadn’t.

Postscript: I’d like to add that I am a big fan of Eoin Colfer. I own and have read every one of his books. I wanted to like this novel more than I did, and it wasn’t terrible by any means, despite my harshness above – I did get through it in a week! But touching on something as good (I want to say sacred but that seems ludicrously sanctimonious and Douglas would probably have hated that) as the H2G2 series was perhaps a challenge too far. Especially as Mostly Harmless itself was already something of an unnecessary extension, IMHO…

Back to paperbacks

paperback writerThe last two books, and the next four, that I’m reading are honest-to-goodness, actual-dead-tree books. I would have preferred to Kindle them but the H2G2 book, the Ender Saga and the Mistborn trilogy aren’t available on Amazon’s service.

I’m neither loving nor loathing the experience (as far as turning actual pages is concerned). There’s a combination of the satisfaction of page turning and feeling your way through the bulk of a novel that’s satisfying, but there’s the fiddly inconvenience of not having it when you have a couple of minutes in a lift to read, or trying to read it at night in bed with an irritating, barely functional reading light, or trying to squeeze it into your work satchel between the car keys, Macbook and iPad…

H2G2 continued

douglas adams

Douglas Adams was something of a hero of ours – I’ve always loved his books, and my brother (and his schoolmate James) even adapted one of them – Dirk Gently’s Holistic Detective Agency – into a play that still gets performed around the world.

So its with some trepidation that I’ve picked up his estate’s authorised sequel to the Hitchhiker’s guide series – ‘And another thing, part six of three’, (ironically not available on Kindle) by Irish children’s writer Eoin Colfer (famous for Artemis Fowl et al).

I’m working my way through it slowly and not too sure what to make of it yet; full thoughts to follow in the next week or two. I’m a fan of Eoin but I’m not sure this is a mantle I’d have wanted to take up. Unlike The Wheel of Time, people were mostly happy with the H2G2 canon – it didn’t need any further storytelling. But – I’m not done yet – so will reserve judgement.

One immediate thing that I’m not sure whether to like or not – Eoin quotes Tenacious D on the opening page of the book. Now, I love the D and Douglas probably would have thought they were OK… but it doesn’t feel right for the H2G2 books. Maybe for Zaphod, but Arthur? He’s more of a Radio 3 sort of guy. And this was never a series of books about Zaphod…

Fantasy brings bad things from the North

compass Whilst watching Game of Thrones, and having recently read Joe Abercrombie’s First Law series, a conversation with Amanda led to the observation that a lot of bad things seem to come from the North. Mr Martin’s Whitewalkers, Joe Abercrombie’s slavering Northmen, the hordes of the Shayol Ghul in Jordan’s Wheel of Time universe, right the way back to Mount Doom in Mordor on Tolkien’s Middle Earth.

The distant South is cold, too. What is it about fantasy writers that gives the North such a bad rep? Is this our North American/US-centric world view? Or just prejudice against the Scots/Canadians?

Internet killed the traditional book store. And the record shop. And the…

There’s a lot of talk amongst our client base of the new business models and innovation possible thanks to the power of the Internet. There’s also a signficant amount of chat about what it means for the pre-web business models – particularly in the media sector.

Look at Waterstone’s, sold last week for a relative pittance. And the share price of the HMV Group – on a persistent downward spiral over the last 12 months – demonstrates how poorly that business has adapted to the Internet age. Contrast that with Amazon or even B&N and you’ll see that real innovation is needed to translate some of those legacy business models to the new delivery platforms we have for media. Amazon is selling more Kindle books than print books – absolutely astonishing. Who would have guessed that things would move this quickly?

B&N, worth around $1bn, as Tom pointed out on Twitter the other day, has managed maintain its valuation where Waterstones et al haven’t. The analysis points out that it has tried to keep on the edge of things with an innovative eBook portfolio in the US. Tom sums it up neatly:

If that’s not an advert for why old media businesses have to aggressively investing in digital platforms, I don’t know what is.

Waterstones’ e-commerce ventures were hopelessly bumbling – first a partnership with Amazon, then its own webstore, and then perhaps a slightly misjudged ebook strategy which I still don’t fully understand today.

I guess, though – that at least they tried. And establishing what insights are needed to drive appropriate customer-centric innovation requires an understanding of customers that goes beyond what they themselves think they need – three years ago when I first got an e-reader, virtually no-one I spoke to was willing to give up the feel of a rustling paperback. We would never have guessed that so many people would be reading everything on Kindle [apps] this soon – but here we are.

The worse thing anyone can do about the Internet is bury your head in the stand. It’s a rolling force for change, whether we like it or not, and is having a dramatic impact on virtually every business I come across – nowhere more dramatically than in the media sector.

My brother talked about the need for smart, digital people in the film and TV industry over on Screen Daily and the apparent dearth of them in his industry. As someone passionate about the media sector here’s hoping that the digital people find their way out of the woodwork and help with the industry in the evolution of its more traditional business models… so there’s not only aggressive investment, but sensible investment in the development of new business models…

The Heroes – Joe Abercrombie

I absolutely blitzed my way through Joe’s First Law trilogy, and made relatively short work of ‘Best Served Cold‘  – the first sequel, set across the sea in the same universe. But I’ve been very slow at getting through The Heroes, another follow up featuring many of the characters from the original trilogy.

Normally, compulsive commute blogging and the return to work notwithstanding, I’d have made more progress here – I read very quickly and yet I’ve taken the best part of three weeks to get two thirds of the way through this one. But I think its the slightly experimental narrative style that’s slowing me down.

Unlike the first four books, which covered a relatively long expanse of time and events, the first four hundred pages of Heroes takes place over the course of three days. You might think this makes for a ludicrously high words to event ratio, but instead what it makes for is a large and detailed tableau of a battle, in which we’re provided insight into characters’ inner monologues, doubts and fears; into military strategy, manipulations and intrigues; into insults, wholesale slaughter and semi-wise philosophy. One scene / chapter will take the point of view of three different characters, one of which might end up dead three paragraphs later before passing the torch to another. It reminds me of the Scrubs episodes when the internal monologue was passed to a character other than Zach Braff – a jarring experience on television, it’s even more bizarre in a novel.

For many this might well be the perfect fantasy novel fodder. For me? I like the larger story arcs – the epic quest, the conflict between good and evil that sits at the heart of this. The character in the novel – Bayaz – that is the driving force for one side of the conflict – is himself contemptuous of the detail of the battle. It’s hard for me to be enthralled…

But as the battle progresses and the pre-ambles complete, the novel is picking up its pace. I imagine I’ll be done by the weekend and looking to add the next Joe Abercrombie to my reading list… His dark, cynical view of the world – tempered by the doubts of his heroes – makes for stories that are quite different from your run-of-the-mill epic quest.

Next up? Trudi Canavan’s newest Black Magician book. Then? I might eventually finish the novel in the Last Chronicles of Thomas Covenant I keep failing to pick up… followed by Eoin Colfer’s take on the Hitchhiker’s guide universe (how did I miss that had been written?), before I wait for the newest book in the Stormlight Archive, Charlie Stross’ Rule 34 and Terry Pratchett’s Snuff to be published – not to mention the latest George R R Martin.

It’s nice to have a few books to look forward to.

Why do we pay VAT on eBooks but not on print books?

There’s no VAT charged on books – it’s one of a number of exempt products and services that the HMRC sets to be zero rated (For the full list – click here).

…but there is on eBooks. I’ve been searching for an answer as to why (and indeed, why print books are zero rated). I can only assume that – as books broadly speaking ‘better’ or are needed for civilized society, a view was taken that they should be zero rated and that’s been maintained over the years.

As to why eBooks aren’t zero rated? The suggestions I’ve read online indicate that legislators haven’t quite caught up with the concept. Would they be taxing a digital download/service, or a ‘book’ in the traditional sense? In the case of Kindle, you aren’t buying the book but the right to access it from Amazon – so how is that classified by the bean counters?

Irrespective of the logistics of it and whether they should be zero rated or not, this is why the pricing on eBooks is so broken. It is almost inevitably cheaper for me to buy a hardback on Amazon than the Kindle equivalent (given Amazon’s extensive discounting of new mass-market hardback novels). Frustrating, but I’m still paying the digital tax – the convenience of e-reading – not to mention the enormous amounts of shelf space it’ll save me in the long run – is immense.

Mindmapping a universe

Inspired by Tony Buzan, with hat doffed to Scot  for the Buzan meeting and with thanks to my lovely wife for providing the Moleskin notebook as a Valentine’s gift, I’ve begun mapping out the universe I plan to start writing stories in when I have a few weeks off in March.

Major branches include technology (power sources, FTL tech, etc), politics, aliens, the fate of the Earth, the state of AI, the longevity of human life and various other social or political issues.

We’ll see if this mechanic gives me what I need to focus my creative energies enough to actually write something cohesive, compelling and fun, but at least its a start! And its pretty fun!

I’ll write more about Mr Buzan and the most important chart in the world soon enough…