Category Archives: Film

Adieu

I’m off to Malaysia for the next week, visiting family for Easter; blogging frequency will almost certainly be reduced. So in good housekeeping style, there’s a few things I ought to set out clearly here, having failed to blog them in any sensible way.

Things seen:

(a) Continuing, brilliant ER, mediocre, but sometimes amusing Tripping the Rift, Simpsons, Smallville and Frasier continuing through their current seasons.
(b) Bubba Ho-Tep is a great film about a black JFK, an impotent Elvis, and a Mummy wearing a cowboy hat. Not just cult, but very clever too. Stars the epic Bruce Campbell.
(c) Zatoichi and 21 Grams are both films worth watching; the former a performance piece/far east cowboy feature, the latter a sometimes over-clever but generally moving film from the creator of Amores Perros.
(d) The remake of Starsky & Hutch is a less good film, but completely enjoyable
(e) The new Orange Film Foundation (or whatever) ads. That guy is DAMN funny. Anyone else think he’s a bit Kevin-Spacey-esque? Any links to info about these ads would be appreciated.

Things done:

(a) I’ve also been introduced to Xbox Live and intend to get it myself (if I can get it all to work, with my Xbox Live, a patch cable, a Mac and a wireless network – told you I knew about the tech) so that I can beat Americans at Magic: The Gathering.
(b) As well as the rebranding/self-hosting of this site, I’ve found an AMAZING blogging tool which posts using the Blogger API, so you know what I’m currently listening to (as seen below).
(c) Finished Jennifer Government (brilliant), and am proceeding nicely with the Rogue Nation of Badass Devils and the Republic of the Sunne on Nation States.
(d) Started Hey Nostradamus, as recommended by Chris, and Absolution Gap, as recommended by me. Alistair Reynolds’ previous Revelation-Space-Universe books are pretty good too.
(e) I’ve added Brazil, Heat and Donnie Darko to my films-I-should-have-watched-by-now list (having finally crossed off The Usual Suspects a few months ago). Any takers for some video nights?

Things revealed

(a) Damian is the one with the continental fruit beer fixation, as noted on the napkin of a thousand blogs.
(b) Tom & I are working on a secret project. It’s very exciting.
(c) I’m trying to stay up all night to prepare myself for the jetlag to Malaysia. The jetlag caused by the introduction of British Summer Time is contributing to a sense of increasing dazedness. Might post again later, especially if I decide to rewatch bits of Hi Fidelity again…

See y’all…

[Listening to: My Friends – Red Hot Chili Peppers – One Hot Minute (04:03)]

Hi Fidelity

Man, as if this isn’t one of the best movies ever. Almost good enough to make me want to read the corresponding book.

I don’t know what made me slap on the DVD of Hi-Fi today. I’ve been going through a bit of a John Cusack revival, having recently seen the middling Identity, re-watched the brilliant Grosse Pointe Blank (which has an AWESOME soundtrack) and now this – again.

Something about Rob’s neurotic internal struggle, the brilliant soliloquizing, and cynicism about relationships strikes a chord. Jack Black’s brilliant comic-foil potential shining through was also entertaining.

I wish I could do all that ‘to camera’ stuff.

Poisson Grand

Big Fish I know, I have a whole other section for reviews. But this film made an impression on me, although I didn’t quite realise it to begin with. The terrible thing about hype is that your expectation very rarely corresponds to the reality of what the film (book, album, concert, jam) actually involves. Big Fish; Fantasy adenture, tall tales, Ewan McGregor; I expected something between Princess Bride and The Nightmare Before Christmas. And I’m not sure I didn’t get it.

Tim Burton’s always been criticised to me as a director who can’t tell a story. I don’t quite agree with the view; Batman, Nightmare before Christmas, Betelgeuse, they all told stories well enough (even if Planet of the Apes didn’t), if they sacrificed storytelling for atmosphere. I expected something similar again; but Big Fish is a very different kettle of, um, fish.

It’s not that it lacks atmosphere, but structurally, the film did bewilder me at first. A succession of Tall Tales, litle evidence of what was reality and what was fantasy and, to my confused eye, no immediate sense of a progressing narrative. Although the Tall Tales where chronological, they still seemed to lack cohesion.

Gradually, though, and it took longer for it to click in my mind than the watching of the film involved, was that the stories which consume screen time, the stories which identified the primary protagonist, were irrelevant to the plot. The ‘immortality’ that the poster advertises has nothing to do with the principal character’s aims, hopes or desires. His single goal, the single thing which defined him, was a desire to be happy. And here the film holds the same black edge that’s come to be associated with Mr Burton: despite being an absolutely lovely man, our protagonist has managed to alienate his son, lived far away from his wife and is dying. Life isn’t even easy for the good; and perhaps here’s where the stories, the tall tales that form the film, make sense as the fulfillment of Ed Bloom’s need.

It’s a beautiful tragedy, beautifully told. A friend asked me if I cried at the end. I didn’t. I was too perplexed, too confused, too muddled by my own expectations. This is a simple, but wondrous film. I didn’t fully understand why it stuck in my head so long after I’d seen it. I think I do now.