Category Archives: Books

Reading to Emily

sddMy folks used to read to us a lot. Especially my Dad. I remember enjoying it; my father’s flexible vocal range giving silly life to the characters in the books we were reading and diverting off track to recapture our attention if it drifted.

Emily’s been a bit small for stories to be read to her and hold her attention, but we’ve taken her through a few board books here and there. One of my client’s recently mentioned that their HR director has a philosophy based on a children’s book, "Some Dogs Do," so, sufficiently intrigued, I bought it as a gift for Emily on her return from Denmark.

After supper one night, with her attention locked in by virtue of being in her high-chair with nowhere to scamper off to, I read her the book to peals of giggles and laughter. Again, at nine months, I’m not sure how much she’s taking in but perhaps I manage to hit on some of the vocal magic my Dad used on us when we were kids to entertain and delight.

Either way, it’s a special pleasure for me and I look forward to more storytime fun in the future.

Post modern post-modernism

tyrion-lannister
I’m experiencing two different timelines for Game of Thrones at the moment – the TV’s first season / first book, in the early days of the War of Kings – and the latest book, A Dance with Dragons, as I read through it on Kindle. It’s a bit surreal; as ever, I am enjoying both, although a point Amanda made to me rings through – the number of characters Martin creates in depth in the books is very hard to keep track of, and I’m struggling to remember who all the random Mereen are around Danaerys at the moment. Will need to find a quick-ref summary.

Scalzi has a fun analysis on why this book has taken so long for George R R Martin to write – at over 400,000 words, in essence, it is the length of four or five lesser books, which a man might have churned out at a rate of one a year. So he’s basically written 4 regular sized books, or two jumbo sized fantasy epics, in one. Sterling effort, my good man, sterling effort.

Song of Ice and FIre 5: A Dance with Dragons iPhone app

adancewithdragonsNo spoilers herein, don’t worry, on the publication of the latest book in the epic George R R Martin series, A Song of Ice and Fire. I’ve managed to avoid spoilers so far despite the fact that the publisher’s screwed up and shipped copies into the UK a few weeks ahead of the official launch.

There’s a lot of hype around this book, not least because it’s been four years in the writing, the critically acclaimed HBO series has launched in the meantime, and, well, the fact that its a great story. I’m going to resist buying it until I’m through the excellent Mistborn saga (down to the last half book of that), and will probably then get the eBook to help me get through the 1000 odd pages of the new novel without lugging a massive tome around with me.

The iPhone app that accompanies the book launch comes complete with a summary of the previous books (invaluable for a quick recap, especially if you’re not sure how much ground the TV series has covered and want a reminder) as well as a few other goodies, so I will refresh my memory ahead of getting the book in.

Constraints on magic

mistbornI’m blitzing my way through Brandon Sanderson’s ‘Mistborn’ trilogy and enjoying it profoundly. He has an effortless way with world-building that’s wondrous without being painstakingly expository.

One of the things I particularly like about the books is that he’s given himself a clearly defined set of constraints within which his heroes operate. "Magic" in the world of Mistborn consists of a set of powers derived from consuming and draining metals (and some variants on that I won’t go into here).

The nice thing about this mode of storytelling is that you’re never confronted with the dread Deus Ex Machina – that scenario where the odds are stacked against our hero, but he says some random spell in pig-Latin that no-one knew he knew, or that has the exact power needed to snuff the baddies’ ambitions (I’m looking at you, Potter).

It means that the world is internally consistent and whilst there are surprises, you never feel cheated by cheap storytelling. I think its an awesome thing and am fast becoming a Sanderson fan.

H2G2 6: And another thing – sort of review

It was with some sadness that I finished reading the Eoin Colfer tribute to Douglas Adams ‘…and another thing’ – book six in the increasingly inaccurately named Hitchhiker’s guide trilogy. Sad for a number of reasons…

Unnecessary sequel
This was not a story that needed telling, as Eoin himself was well aware. Douglas may have had a sixth novel planned but there was no obvious place to go – the last we saw of our heroes, they were on the verge of being dead and, well, unless you’re writing a Zombie thriller, a novel full of dead people isn’t massively compelling…. something which Eoin recognised but thought he’d have a go at anyway.

Too courageous
Eoin tried really, really hard to pay tribute to the best traditions of Douglas’ series. Really, I think this should have meant that he took more than eight months to write it and he should have torn it up several times in the course of its development. After all – Douglas’ love of deadlines is well documented (especially the sound of them whooshing past). Where Douglas’ books felt painstakingly iterated, moulded, cajoled, and sometimes brutally hammered into place, Eoin seems to write with the same, effortless grace with which he produced his Artermis Fowl books. For me, this meant it read like something completely different…

Too linear
The charm of Douglas – in many regards – was that his brain worked in ways that no-one else’s did. Eoin himself writes in the afterword to the edition I read that he specifically picked on “the obvious way” of getting our heroes out of the pickle Douglas left them in at the end of Mostly Harmless. Would Douglas have done that? Maybe. But somehow I think repeating a trick would have been on the far end of the probability spectrum for Douglas.

The wrong stars
The previous books were about Arthur. He was the character you could empathise with, he was the character whose muddle-headed, dressing-gowned, tea-drinking Englishness that made it real for the reader. This book? Features The Guide, Zaphod and Trillian as its main characters. How easy is it to empathise with the mega-egotistical president of the Universe? Not that easy, even for me. And the guide’s interruptions seemed more frequent and expansive than Douglas’ own diversions, amusing as they often are.

In short, this was a valiant effort, by Mr Colfer. But I really wish you hadn’t.

Postscript: I’d like to add that I am a big fan of Eoin Colfer. I own and have read every one of his books. I wanted to like this novel more than I did, and it wasn’t terrible by any means, despite my harshness above – I did get through it in a week! But touching on something as good (I want to say sacred but that seems ludicrously sanctimonious and Douglas would probably have hated that) as the H2G2 series was perhaps a challenge too far. Especially as Mostly Harmless itself was already something of an unnecessary extension, IMHO…

Back to paperbacks

paperback writerThe last two books, and the next four, that I’m reading are honest-to-goodness, actual-dead-tree books. I would have preferred to Kindle them but the H2G2 book, the Ender Saga and the Mistborn trilogy aren’t available on Amazon’s service.

I’m neither loving nor loathing the experience (as far as turning actual pages is concerned). There’s a combination of the satisfaction of page turning and feeling your way through the bulk of a novel that’s satisfying, but there’s the fiddly inconvenience of not having it when you have a couple of minutes in a lift to read, or trying to read it at night in bed with an irritating, barely functional reading light, or trying to squeeze it into your work satchel between the car keys, Macbook and iPad…

H2G2 continued

douglas adams

Douglas Adams was something of a hero of ours – I’ve always loved his books, and my brother (and his schoolmate James) even adapted one of them – Dirk Gently’s Holistic Detective Agency – into a play that still gets performed around the world.

So its with some trepidation that I’ve picked up his estate’s authorised sequel to the Hitchhiker’s guide series – ‘And another thing, part six of three’, (ironically not available on Kindle) by Irish children’s writer Eoin Colfer (famous for Artemis Fowl et al).

I’m working my way through it slowly and not too sure what to make of it yet; full thoughts to follow in the next week or two. I’m a fan of Eoin but I’m not sure this is a mantle I’d have wanted to take up. Unlike The Wheel of Time, people were mostly happy with the H2G2 canon – it didn’t need any further storytelling. But – I’m not done yet – so will reserve judgement.

One immediate thing that I’m not sure whether to like or not – Eoin quotes Tenacious D on the opening page of the book. Now, I love the D and Douglas probably would have thought they were OK… but it doesn’t feel right for the H2G2 books. Maybe for Zaphod, but Arthur? He’s more of a Radio 3 sort of guy. And this was never a series of books about Zaphod…

Fantasy brings bad things from the North

compass Whilst watching Game of Thrones, and having recently read Joe Abercrombie’s First Law series, a conversation with Amanda led to the observation that a lot of bad things seem to come from the North. Mr Martin’s Whitewalkers, Joe Abercrombie’s slavering Northmen, the hordes of the Shayol Ghul in Jordan’s Wheel of Time universe, right the way back to Mount Doom in Mordor on Tolkien’s Middle Earth.

The distant South is cold, too. What is it about fantasy writers that gives the North such a bad rep? Is this our North American/US-centric world view? Or just prejudice against the Scots/Canadians?

HBO’s Game of Thrones–first impressions

GAME-OF-THRONES-HBO-3

We watched the opening episode of HBO’s new fantasy drama series last night – Game of Thrones. It’s been showing for some weeks on Sky Atlantic / in the US after months of filming in Ireland and lots of hype on both sides of the pond.

It’s based on George R R Martin’s epic Song of Ice and Fire epic fantasy series, the first four books of which I blitzed through last year. Rich, immersive, politically complex, multi-faceted plotlines with an enormous cast of players. I wondered how it could make the transition to the screen and, having seen the first episode, I’m totally sold.

Atmospherically lush (that is the right word) you’re immediately sucked into the world and the politics of the Seven Kingdoms. The casting seems fairly spot-on at the moment – especially Tyrion Lannister – and Sean Bean is appropriately gloomy as Lord Eddard of Winterfell.

As you’d expect given the format, it whips its way through epic fantasy at quite a pace. Given that Mr Martin has taken some years to pen the fifth novel in the series, I do wonder how the pressures of commercial television will come to play in driving the completion of the series. In fact, Mr Martin has taken such a long time to get the next novel out that there has been some furore from the fans – evoking this perspective from fellow fantasist Neil Gaiman (in short, George R R Martin is not your bitch). He is, however, in some sense, probably at the beck and call of the nice people at HBO, which has picked up the show for a second season…

Trailer here for the epically curious:

Internet killed the traditional book store. And the record shop. And the…

There’s a lot of talk amongst our client base of the new business models and innovation possible thanks to the power of the Internet. There’s also a signficant amount of chat about what it means for the pre-web business models – particularly in the media sector.

Look at Waterstone’s, sold last week for a relative pittance. And the share price of the HMV Group – on a persistent downward spiral over the last 12 months – demonstrates how poorly that business has adapted to the Internet age. Contrast that with Amazon or even B&N and you’ll see that real innovation is needed to translate some of those legacy business models to the new delivery platforms we have for media. Amazon is selling more Kindle books than print books – absolutely astonishing. Who would have guessed that things would move this quickly?

B&N, worth around $1bn, as Tom pointed out on Twitter the other day, has managed maintain its valuation where Waterstones et al haven’t. The analysis points out that it has tried to keep on the edge of things with an innovative eBook portfolio in the US. Tom sums it up neatly:

If that’s not an advert for why old media businesses have to aggressively investing in digital platforms, I don’t know what is.

Waterstones’ e-commerce ventures were hopelessly bumbling – first a partnership with Amazon, then its own webstore, and then perhaps a slightly misjudged ebook strategy which I still don’t fully understand today.

I guess, though – that at least they tried. And establishing what insights are needed to drive appropriate customer-centric innovation requires an understanding of customers that goes beyond what they themselves think they need – three years ago when I first got an e-reader, virtually no-one I spoke to was willing to give up the feel of a rustling paperback. We would never have guessed that so many people would be reading everything on Kindle [apps] this soon – but here we are.

The worse thing anyone can do about the Internet is bury your head in the stand. It’s a rolling force for change, whether we like it or not, and is having a dramatic impact on virtually every business I come across – nowhere more dramatically than in the media sector.

My brother talked about the need for smart, digital people in the film and TV industry over on Screen Daily and the apparent dearth of them in his industry. As someone passionate about the media sector here’s hoping that the digital people find their way out of the woodwork and help with the industry in the evolution of its more traditional business models… so there’s not only aggressive investment, but sensible investment in the development of new business models…